{"id":11850,"date":"2022-10-01T10:48:08","date_gmt":"2022-10-01T09:48:08","guid":{"rendered":"https:\/\/chestnut.fr\/?page_id=11850"},"modified":"2022-10-01T11:24:25","modified_gmt":"2022-10-01T10:24:25","slug":"album-6-jog-on","status":"publish","type":"page","link":"https:\/\/chestnut.ovh\/en\/album-6-jog-on\/","title":{"rendered":"Album 6 – Jog On"},"content":{"rendered":"

\"Chestnut<\/a><\/p>\n

 <\/p>\n

Retrouvez le dernier album de CHESTNUT dans la boutique<\/a><\/strong><\/p>\n

 <\/p>\n

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 <\/p>\n

1. Titres<\/a><\/span><\/p>\n

2. Pr\u00e9sentation<\/a><\/span><\/p>\n

 <\/p>\n

20 titres : (d\u00e9tail<\/a>)<\/span><\/strong><\/span><\/h4>\n
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Suites et danses John Playford\u00a0<\/strong><\/em>1e<\/sup> – 4e <\/sup>e\u0301ditions (1651 -1670)<\/strong><\/em><\/p>\n

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1. Suite 1 : Millisons Jegge \/ The Night Peece \/ Mayden Lane<\/div>\n
2. Suite 2 : Lord of Carnarvons Jig \/ Chirping of the Lark \/ Halfe Hannikin<\/div>\n
3. Suite 3 : Petticoat Wag \/ Prince Ruperts March (the new way)<\/em><\/div>\n
4. Suite 4 : Mall Peatly \/ Hockley in the Hole<\/div>\n
5. Suite 5 : Put on thy Smock on Monday \/ Jack Pudding<\/div>\n
6. Suite 6 : Stingo \/ New New Nothing \/ Scotch Cap<\/div>\n
7. Suite 7 : Daphne \/ Drive the Cold Winter Away<\/div>\n
8. The Punks Delight<\/div>\n
9. Greenwood<\/div>\n
10. The Merry Merry Milke Maids<\/div>\n
11. Prince Ruperts March<\/div>\n
\n

Suites XVIII<\/strong>e<\/sup> sie\u0300cle<\/strong><\/em><\/p>\n

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12. The Humours of the Age<\/div>\n
13. Les Ombres Chinoises<\/div>\n
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Suites modernes<\/strong><\/em><\/p>\n

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14. All the King\u2019s Horses (Kings and Queens Quartet – C\u00e9cile Laye)<\/em><\/span><\/div>\n
15. Elspeth I – II (Kings and Queens Quartet – C\u00e9cile Laye)<\/em><\/span><\/div>\n
16. Boadice\u0301e (Kings and Queens Quartet – C\u00e9cile Laye)<\/em><\/span><\/div>\n
17. The Royal Brothers\u00a0(Kings and Queens Quartet – C\u00e9cile Laye)<\/em><\/span><\/div>\n
18. Four Winds<\/div>\n
19. Barbara Villiers<\/div>\n
20. Badineries I – II<\/div>\n
\n
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Pr\u00e9sentation : (in English<\/a><\/span>)<\/span><\/strong><\/span><\/h4>\n

Une bourse et une frustration sont a\u0300 l\u2019origine de ce <\/b>6e<\/sup> album enregistre\u0301 par CHESTNUT. Commenc\u0327ons par la frustration : souvent les musiciens qui s\u2019inte\u0301ressent au re\u0301pertoire PLAYFORD enregistrent plusieurs m\u00e9lodies a\u0300 la suite a\u0300 partir des e\u0301ditions du Dancing Master. <\/i>Ces suites sont souvent int\u00e9ressantes mais rarement dansables parce qu\u2019elles ne respectent pas l\u2019architecture de la danse. <\/span><\/p>\n<\/div>\n

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Quant a\u0300 la bourse, elle me fut octroye\u0301e par le Centre National de la Danse en 2016 pour classer les 105 danses de l\u2019e\u0301dition de 1651 publie\u0301e par John Playford, plus quelques danses des 3e<\/sup> et 4e<\/sup> e\u0301ditions. Ce travail me permit de de\u0301couvrir de bonnes danses laisse\u0301es de co\u0302te\u0301 par Cecil Sharp, le premier reconstructeur historique. Apre\u0300s expe\u0301rimentation avec les danseurs, il devint e\u0301vident que les danses se\u0301lectionne\u0301es gagnaient en inte\u0301re\u0302t quand elles e\u0301taient regroupe\u0301es en suites chore\u0301graphiques. <\/span><\/p>\n<\/div>\n

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La suite permet de mettre en exergue l\u2019emploi d\u2019une me\u0302me figure avec des variantes comme en te\u0301moignent les croisements de la suite 1, de signaler l\u2019inventivite\u0301 des figures de progression (suite 2), d\u2019adosser des danses organise\u0301es autour d\u2019un sche\u0301ma classique a\u0300 d\u2019autres pre\u0301sentant des couplets de longueur inhabituelle (suites 5 et 6) et de court-circuiter la proble\u0301matique des longways progressifs dans les premie\u0300res e\u0301ditions de Playford en proposant une solution raisonne\u0301e. <\/span><\/p>\n<\/div>\n

\n

Prises isole\u0301ment, beaucoup des danses se\u0301lectionne\u0301es sont relativement courtes. Elles permettront aux danseurs de\u0301butants d\u2019acque\u0301rir des re\u0301flexes essentiels pour utiliser les figures de base (les reels<\/i> et les chai\u0302nes, l\u2019inversion du set, etc …). <\/span><\/p>\n<\/div>\n

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Propose\u0301es en suite, les danses deviennent une gageure pour les danseurs expe\u0301rimente\u0301s qui n\u2019ont plus besoin de re\u0301pe\u0301ter les mouvements et qui sont en mesure de me\u0301moriser des se\u0301quences longues et varie\u0301es. <\/span><\/p>\n<\/div>\n

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Au-dela\u0300 des suites a\u0300 vise\u0301e pe\u0301dagogique (suite 3), ce nouvel album propose deux danses tire\u0301es d\u2019e\u0301ditions plus tardives et un certain nombre de suites modernes e\u0301manant de diffe\u0301rents chore\u0301graphes et mises en valeur par la beaute\u0301 de la musique d\u2019Henry Purcell, de Turlough O\u2019Carolan et de Georg Philipp Telemann. Ambitieuses et moins pre\u0301visibles que les danses du Dancing Master,<\/i> elles mettent en \u0153uvre le principe du ch\u0153ur en mouvement et du solo. <\/span><\/p>\n<\/div>\n

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Pour ce nouvel enregistrement, nous avons sollicite\u0301 deux ensembles ayant participe\u0301 aux bals organise\u0301s par CHESTNUT. Chaque groupe apporte des couleurs diffe\u0301rentes qui enrichissent l\u2019ensemble. Nous avons baptise\u0301 cet album Jog On\u00a0<\/i>en empruntant le titre a\u0300 une des danses de l\u2019e\u0301dition de 1651. Jog On,\u00a0<\/i>autrement dit\u00a0: continuons a\u0300 danser\u00a0!\u00a0<\/i>C\u2019est une des nombreuses lec\u0327ons que nous aura enseigne\u0301es la r\u00e9cente pande\u0301mie. <\/span><\/p>\n<\/div>\n

\n

Retrouvons-nous pour danser, partager et transmettre a\u0300 notre tour. Les danseurs qui aiment ce re\u0301pertoire s\u2019y emploient et la seule ambition de cet album est de les y aider.<\/span><\/p>\n<\/div>\n

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Ce\u0301cile Laye, Paris, mars 2022<\/span><\/b><\/p>\n

\n<\/div>\n
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Presentation:<\/strong><\/span><\/h4>\n<\/div>\n
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The 6th<\/sup> album recorded by CHESTNUT is the result of a grant and a frustration. Let\u2019s start with the frustration. Musicians interested in the PLAYFORD repertoire often record suites of tunes out of the Dancing Master editions. Although interesting, these suites are rarely danceable, because they fail to respect the structure of the dances involved. <\/span><\/i><\/span><\/b><\/p>\n<\/div>\n

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As for the grant, it was awarded to me in 2016 by the National Dance Center so that I could take on the task of classifying the 105 dances published by the London editor John Playford in 1651. This work enabled me to discover some good dances that Cecil Sharp, who was the first to carry out the work of reconstructing Playford dances, had left aside. After some experimental work with our dancers, it became obvious that these dances became more interesting when put together in choreographic suites. <\/span><\/i><\/span><\/p>\n<\/div>\n

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The suite allowed us to highlight one figure by using variants of it as is shown by the crossings in Suite No. 1, to give an account of the inventiveness underlying the use of progressive figures (Suite No. 2), to put dances displaying a standard lay-out with others of unusual length (Suites Nos. 5 and 6) and to deal with problems encountered in progressive longways in the earlier editions of PLAYFORD, proposing workable solutions. <\/span><\/i><\/span><\/p>\n<\/div>\n

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Taken individually, many of the dances chosen are relatively short. It is hoped that they will allow beginners to master basic figures such as reels, heys, reversing the set, etc… <\/span><\/i><\/span><\/p>\n<\/div>\n

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Presented in suites, these dances can also be taken up as a challenge by advanced dancers who no longer need to repeat movements and who are well able to memorize long and varied sequences of dances. <\/span><\/i><\/span><\/p>\n<\/div>\n

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Besides the suites intended for teaching purposes, this new album includes two dances taken from later editions and a number of modern suites from various choreographers which are enhanced by the beauty of the music of Henry Purcell, Turlough O\u2019Carolan and Georg Philipp Telemann. These dances are more ambitious and less predictable than those in the Dancing Master and they put into practice the idea of a moving chorus alternating with solo dancing. <\/span><\/i><\/span><\/p>\n<\/div>\n

\n

To make this new recording possible we have asked two groups, having previously performed for CHESTNUT, to play for us. Each group brings its <\/b>own style and sound to the overall musical experience of the album. The title \u201cJog On\u201d is borrowed from one of the 1651 edition dances. \u201cJog On\u201d Yes, indeed: Let\u2019s keep on dancing! is one of the many lessons that the recent pandemic has taught us. <\/span><\/i><\/span><\/p>\n<\/div>\n

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So, let\u2019s meet again to dance, share and transmit. That\u2019s what dancers who enjoy this repertoire do, and the one and only ambition of the present album is to help them do so. <\/span><\/i><\/p>\n<\/div>\n

\n

Ce\u0301cile Laye, Paris, March 2022<\/span><\/b><\/p>\n

\n

20 titres :<\/strong><\/span><\/h4>\n
\n
\n
\n
    \n
  1. Suite 1 : Millisons Jegge \/ The Night Peece \/ Mayden Lane <\/strong>\u2022 Anonyme, arrangement <\/span>The Kings Delight <\/span>(3:46)<\/span><\/li>\n
  2. Suite 2 : Lord of Carnarvons Jig <\/strong>(avec en alternance les the\u0300mes de <\/span>Jack a Lent <\/span>et <\/span>Lord of Carnarvons Jig<\/span>) <\/span>\/ Chirping of the Lark\u00a0<\/strong>(avec en alternance les the\u0300 mes de <\/span>Chirping of the Lark <\/span>et <\/span>Chirping of the Nightingale<\/span>) <\/span>\/ <\/strong>Halfe Hannikin<\/strong> <\/span>\u2022 <\/span>Anonyme, arrangement <\/span>The\u00a0<\/span>Kings Delight <\/span>(6\u201938)<\/span><\/li>\n
  3. Suite 3 : Petticoat Wag <\/strong>\/ Prince Rupert\u2019s March <\/span>\u2022 <\/span>Chore\u0301graphie moderne de Ce\u0301cile Laye \u2022 Anonyme – arrangement <\/span>The Kings\u00a0<\/span>Delight <\/span>(4\u201937)<\/span><\/li>\n
  4. Suite 4 : Mall Peatly \/ Hockley in the Hole <\/strong><\/span>\u2022 Anonyme, arrangement <\/span>The Kings Delight <\/span>(5\u201903)<\/span><\/li>\n
  5. Suite 5 : Put on thy Smock a Monday \/ Jack Puddin<\/strong>g <\/span>\u2022 Anonyme – arrangement <\/span>The Kings Delight <\/span>(3\u201954)<\/span><\/li>\n
  6. Suite 6 :<\/strong> Stingo \/ New New Nothing \/ Scotch Cap <\/strong><\/span>\u2022 Anonyme, arrangement <\/span>The Kings Delight <\/span>(4\u201908)<\/span><\/li>\n
  7. Suite 7 : Daphne \/ Drive the Cold Winter Away <\/strong><\/span>\u2022 Anonyme, arrangement <\/span>The Theater of Music <\/span>(3\u201916)<\/span><\/li>\n
  8. The Punks Delight <\/strong>: <\/span>anonyme, arrangement <\/span>The Kings Delight <\/span>(2\u201904)<\/span><\/li>\n
  9. Greenwood<\/strong> : <\/span>avec en alternance les me\u0301lodies de <\/span>Once I loved a Maiden Faire <\/span>et <\/span>Greenwood <\/span>\u2022 Anonyme, arrangement <\/span>The Kings\u00a0<\/span>Delight <\/span>(2\u201943)<\/span><\/li>\n
  10. The Merry Merry Milke Maid<\/strong>s <\/span>: <\/span>anonyme, arrangement <\/span>The Kings Delight <\/span>(2\u201910)<\/span><\/li>\n
  11. Prince Rupert\u2019s March<\/strong>\u00a0<\/span>:\u00a0<\/span>version Playford\u2022Anonyme, diminutions de Jacob van Eyck, arrangement\u00a0<\/span>The Theater of Musi<\/span>c\u00a0<\/span>(1\u201935)<\/span><\/li>\n
  12. <\/span>The Humours of the Age<\/strong> : menuet, hornpipe et gigue \u2013 Kynaston, 1710, arrangement The Theater of Music (4\u201907)<\/li>\n
  13. Les Ombres Chinoises<\/strong> : quadrille \u2022 Thomas Budd, 1780 – recherche musicale Meryl Thompson, arrangement The Theater of Music (2\u201938)<\/li>\n
  14. All the King\u2019s Horses<\/strong> : One charming Night, The Fairy Queen \u2022 Henry Purcell, arrangement The Kings Delight (3\u201936)<\/li>\n
  15. Elspeth I – II<\/strong> : Hornpipe, The Virtuous wife et Hornpipe on a Ground, The Married Beau \u2022 Henry Purcell, arrangement The Theater of Music (2\u201919)<\/li>\n
  16. Boadice\u0301e<\/strong> : Hornpipe, Amphitryon et Air, Abdelazer \u2022 Henry Purcell, arrangement The Theater of Music (2\u201945)<\/li>\n
  17. The Royal Brothers<\/strong> : Curtain Tune on a ground, Timon of Athens \u2022 Henry Purcell, The Theater of Music (4\u201915)<\/li>\n
  18. Four Winds<\/strong> : chore\u0301graphie de Pat Shaw – Rondeau, Abdelazer et Jig, Old Bachelor \u2022 Henry Purcell, arrangement The Kings Delight (4\u201952)<\/li>\n
  19. Barbara Villiers<\/strong> : The Sleepless Swain, chore\u0301graphie de Pat Shaw sur une me\u0301lodie hollandaise du XVIIe sie\u0300cle, arrangement Julius Ro\u0308ntgenen, 1855 \/ A Trip to Macclesfield, chore\u0301 graphie de Brian Wedgbury sur un air de Turlough O\u2019Carolan \u2022 Arrangement The Theater of Music (5\u201923)<\/li>\n
  20. Badineries I – II<\/strong> : chore\u0301graphie de Ce\u0301cile Laye – Alle\u0301gresse et Badinage, Tafel Musick, \u2022 Georg Philipp Telemann, arrangement The Theater of Music (5\u201957)<\/li>\n<\/ol>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

     <\/p>\n

     <\/p>\n

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     <\/p>\n

    \u00a0<\/a><\/p>\n

     <\/p>\n","protected":false},"excerpt":{"rendered":"

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Suite 2 : Lord of Carnarvons Jig \/ Chirping […]<\/p>\n","protected":false},"author":8,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-11850","page","type-page","status-publish","hentry"],"yoast_head":"\nAlbum 6 - Jog On[:] - Chestnut<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/chestnut.ovh\/album-6-jog-on\/\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/chestnut.ovh\/album-6-jog-on\/\",\"url\":\"https:\/\/chestnut.ovh\/album-6-jog-on\/\",\"name\":\"[:fr]Album 6 - Jog On[:] - Chestnut\",\"isPartOf\":{\"@id\":\"https:\/\/chestnut.ovh\/#website\"},\"datePublished\":\"2022-10-01T09:48:08+00:00\",\"dateModified\":\"2022-10-01T10:24:25+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/chestnut.ovh\/album-6-jog-on\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/chestnut.ovh\/album-6-jog-on\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/chestnut.ovh\/album-6-jog-on\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/chestnut.ovh\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Album 6 – Jog On\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/chestnut.ovh\/#website\",\"url\":\"https:\/\/chestnut.ovh\/\",\"name\":\"Chestnut\",\"description\":\"English Country Dancing & Danses anciennes de l'\u00e9poque des Stuarts .... et des romans de Jane Austen !\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/chestnut.ovh\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-GB\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Album 6 - Jog On[:] - Chestnut","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/chestnut.ovh\/album-6-jog-on\/","twitter_misc":{"Estimated reading time":"8 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/chestnut.ovh\/album-6-jog-on\/","url":"https:\/\/chestnut.ovh\/album-6-jog-on\/","name":"[:fr]Album 6 - Jog On[:] - Chestnut","isPartOf":{"@id":"https:\/\/chestnut.ovh\/#website"},"datePublished":"2022-10-01T09:48:08+00:00","dateModified":"2022-10-01T10:24:25+00:00","breadcrumb":{"@id":"https:\/\/chestnut.ovh\/album-6-jog-on\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/chestnut.ovh\/album-6-jog-on\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/chestnut.ovh\/album-6-jog-on\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/chestnut.ovh\/"},{"@type":"ListItem","position":2,"name":"Album 6 – Jog On"}]},{"@type":"WebSite","@id":"https:\/\/chestnut.ovh\/#website","url":"https:\/\/chestnut.ovh\/","name":"Chestnut","description":"English Country Dancing & Danses anciennes de l'\u00e9poque des Stuarts .... et des romans de Jane Austen !","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/chestnut.ovh\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-GB"}]}},"_links":{"self":[{"href":"https:\/\/chestnut.ovh\/en\/wp-json\/wp\/v2\/pages\/11850","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chestnut.ovh\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/chestnut.ovh\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/chestnut.ovh\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/chestnut.ovh\/en\/wp-json\/wp\/v2\/comments?post=11850"}],"version-history":[{"count":13,"href":"https:\/\/chestnut.ovh\/en\/wp-json\/wp\/v2\/pages\/11850\/revisions"}],"predecessor-version":[{"id":11864,"href":"https:\/\/chestnut.ovh\/en\/wp-json\/wp\/v2\/pages\/11850\/revisions\/11864"}],"wp:attachment":[{"href":"https:\/\/chestnut.ovh\/en\/wp-json\/wp\/v2\/media?parent=11850"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}